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Celebrating visual art of the human form / Célébrer l’art visuel de la forme humaine

Awards

Figureworks 2022

On October 27, 2022, we celebrated 29 artist finalists.

Photo: 2022 Mark Stephenson

Nima Arabi, Robyn Asquini, Colette Beardall, Peter Bustin, Monique Campbell, Melanie Chikofsky, Saanya Chopra, Robert Creighton, Christine Fitzgerald, Gary Franks, Catharina Goldnau, Megan Green, Beth Kyle, Darcia Labrosse, Sarah Lacy, Justine Lanza Kendrick, Steven Lewis, Ava Margueritte, Natalie Nadeau, Michelle Peraza, Jay Senetchko, Bonnie Sheckter, Michael Silverstone, Ruth Steinberg, Aishah Vakily, Helena Vallée Dallaire, Anita Van Zeumeren, Kyle Vingoe-Cram, and Roy Whiddon.

On October 27, 2022 we celebrated 29 artist finalists for Figureworks® 2022. This year the prize received 182 entries from 118 artists located across Canada, including photographs, sculptures, paintings, drawings, videos, and fibre art.

The Jury

The Figureworks prize is evaluated by a jury of peer professional artists, curators and arts administrators representing a broad range of media and forms of art.

Katherine McNenly

Katherine McNenly

Katherine Takpannie

Katherine Takpannie

Nic Cooper

Nic Cooper

Winners

Congratulations to the 2022 winners selected from 182 entries from 118 artists located across Canada.

Untitled 1 by Ruth Steinberg, 2022, Medium format colour film, digital archival print, 15in x 15in

2022 Figureworks Prize – $2000

Untitled 1

by Ruth Steinberg

As described by the jury:
A snapshot of humanity confronts the viewer, beautiful but faced with the reality of ageing. There is a warm vulnerability, enhanced by the lighting. The compositional structure draws us back to her and her life. There is an awareness of diminishing time and space, which has been accelerated in the last few years due to COVID.

Artist statement: Part of an ongoing series, started in 2015, documenting the life of my (now) 98 year old mother.

Untitled 1 by Ruth Steinberg, 2022, Medium format colour film, digital archival print, 15in x 15in

Colette Beardall, 2022, Red stoneware, multi fired with slips, glazes and rubbed with oxides, 12in x 10in x 6in

Honorable mention – $500

Nightingale Whisper

Colette Beardall, 2022, Red stoneware, multi fired with slips, glazes and rubbed with oxides, 12in x 10in x 6in

Jury statement

This work has a haunting presence, with a strong affect. The physicality of the materials create a raw and vulnerable anguish in the figure. Symbolic elements are compelling and multi-layered.

Artist statement

As the senseless war in Ukraine languishes, I imagine the soul leaving the inhabitants as they try to save their children, their identity, and their homeland. A nightingale (national animal of Ukraine) visits a young man to assure him the world is watching.

Anita Van Zeumeren, 2020, Oil on board, 12in x 24in

Honorable Mention – $500

Past to Present

Anita Van Zeumeren, 2020, Oil on board, 12in x 24in

Jury statement

This piece reflects a salient, evident and achingly raw story of colonialism. The emotional impact is even felt through the technical achievement of trompe-l’œil. A very strong presence of acculturation is noted in the visual expression.

Michael Goodson, 2019, Acrylic and Silicone on Masonite board, 72in x 48in

People's Choice Award – $250

A Breath Above the Surface

Ava Margueritte, 2021, Pigment ink on photo rag paper, 24in x 24in

Artist statement

Living with dyslexia and CAP-D, has made it difficult to communicate my experiences. Self-portraiture has been a way for me to navigate my emotions through a visual diary. Examining the relationship between body and mind.

Gallery of Finalists

In alphabetical order by artists name.

Reincarnation by Nima Arabi, 2021, Graphite on paper, 8.5in x 11in

Reincarnation

Nima Arabi, 2021, Graphite on paper, 8.5in x 11in

http://www.nimaarabi.com

Portrait of Smruti by Robyn Asquini, 2022, Oil on linen, 20in x 16in

Portrait of Smruti

Robyn Asquini, 2022, Oil on linen, 20in x 16in

http://robynasquini.com

The Colour Has Faded by Colette Beardall, 2021, Red stoneware, multi fired with slips, glazes and rubbed with oxides, 12in H x 10in W x 6in D

The Colour Has Faded

Colette Beardall, 2022, Red stoneware, multi fired with slips, glazes and rubbed with oxides, 12in H x 10in W x 6in D

https://www.colettebeardall.com

Nightingale Whisper by Colette Beardall, 2022, Red stoneware, multi fired with slips, glazes and rubbed with oxides, 12in H x 10in W x 6in D

Nightingale Whisper

Colette Beardall, 2022, Red stoneware, multi fired with slips, glazes and rubbed with oxides, 12in H x 10in W x 6in D

https://www.colettebeardall.com

Scar by Peter Bustin, 2020, Oil on canvas, 22in x 22in

Scar

Peter Bustin, 2020, Oil on canvas, 22in x 22in

Portrait of a Flemish Man by Monique Campbell

Portrait of a Flemish Man

Monique Campbell, 2022, Archival Hahnemule FineArt Inkjet paper, archival matte, professionally framed with wood, 17in x 22.5in x 1in

RELIC I by Melanie Chikofsky, 2020, Cast linen and flax pulp paper, Winterstone® base, glass clouche, 23in x 10in x 10in

RELIC I

Melanie Chikofsky, 2020, Cast linen and flax pulp paper, Winterstone® base, glass clouche, 23in x 10in x 10in

http://www.melaniechikofsky.com

Portrait of a Flemish Man by Monique Campbell

VESTIGE IV

Melanie Chikofsky, 2019, Cast flax pulp paper, Winterstone® base, glass clouche, 23in x 10in x 10in

http://www.melaniechikofsky.com

Untitled by Saanya Chopra, 2021, Large-format (4x5) black and white film, scanned and rendered digitally, 21in x 17in

Untitled

Saanya Chopra, 2021, Large-format (4x5) black and white film, scanned and rendered digitally, 21in x 17in

rien d'autre n'a ete entendu (pour Kate) by Robert Creighton, 2022, Lithograph/chine colle on paper, 49cm x 35cm

rien d'autre n'a ete entendu (pour Kate)

Robert Creighton, 2022, Lithograph/chine colle on paper, 12.5in x 15.75in

Olivia by Christine Fitzgerald, 2022, Four pigmented gum bichromate impressions on a platinotype (palladium) base layer printed on archival rag, 21.5in x 18in

Olivia

Christine Fitzgerald, 2022, Four pigmented gum bichromate impressions on a platinotype (palladium) base layer printed on archival rag, 21.5in x 18in

http://www.christinefitzgeraldphotography.com

Kenneth & Yuli by Gary Franks, 2022, Shot on Polaroid Spectra (b/w). Digital scan printed with pigment ink on cotton rag, 49.5cm x 57.5cm

Kenneth & Yuli

Gary Franks, 2022, Shot on Polaroid Spectra (b/w). Digital scan printed with pigment ink on cotton rag, 19.5in x 22.6in

https://www.instagram.com/gfrnks/

Flying Venus by Catharina Goldnau, 2021, Custom clay, ribbon, beads, rock, 6.5in h x 20in x 10.5in

Flying Venus

Catharina Goldnau, 2021, Custom clay, ribbon, beads, rock, 6.5in h x 20in x 10.5in

http://www.catharinagoldnauceramic.ca

Oil Face 1 by Megan Green, 2022, Acrylic paint on panel, 8.5in x 11in

Oil Face 1

Megan Green, 2022, Acrylic paint on panel, 8.5in x 11in

The Thinker by Beth Kyle, 2020, Graphite B2, B4, B6, graphite dust, and charcoal, 11in x 14in

The Thinker

Beth Kyle, 2020, Graphite B2, B4, B6, graphite dust, and charcoal, 11in x 14in

http://instagram.com/bethkyleart

Oil Face 1 by Megan Green, 2022, Acrylic paint on panel, 8.5in x 11in

Appliqué No. 7

Darcia Labrosse, 2020, Waterjetcut anodized aluminum, 9in x 17in x 3/8in

http://www.darcialabrosse.com

Maria Ignota (Unknown Seas) - self portrait by Sarah Lacy, 2021, Oil on board, 20in x 16in

Maria Ignota (Unknown Seas) - self portrait

Sarah Lacy, 2021, Oil on board, 20in x 16in

http://www.smlacyart.com

Serene after a walk by Justine Lanza Kendrick, 2021, Pastel on paper, 15.6in x 12.6in

Serene after a walk

Justine Lanza Kendrick, 2021, Pastel on paper, 15.6in x 12.6in

http://justinelanza.com

Communing In Nature by Steven Lewis, 2022, Oil on linen, 24in x 18in

Communing In Nature

Steven Lewis, 2022, Oil on linen, 24in x 18in

http://www.stevenlewisart.com

A Breath Above the Surface by Ava Margueritte, 2021, Pigment ink on photo rag paper, 24in x 24in

A Breath Above the Surface

Ava Margueritte, 2021, Pigment ink on photo rag paper, 24in x 24in

Breasts by Natalie Nadeau, 2019, Glass, ~ 7in x 5in x 4.5in each

Breasts

Natalie Nadeau, 2019, Glass, ~ 7in x 5in x 4.5in each

http://www.natalienadeau.com

S1 by Michelle Peraza, 2019, Oil and charcoal on aluminum panel, 24in x 24in

S1

Michelle Peraza, 2019, Oil and charcoal on aluminum panel, 24in x 24in

The Great Refusal (In the City - Figure Study - Chieh) by Peter Senetchko, 2020, Oil on archival matte board, 14.5in x 11in

The Great Refusal (In the City - Figure Study - Chieh)

Peter Senetchko, 2020, Oil on archival matte board, 14.5in x 11in

http://www.senetchko.ca

Ruyun by Bonnie Sheckter, 2022, Coloured pencil drawing on Graphix matte drafting film, 18in x 15 1/2in

Ruyun

Bonnie Sheckter, 2022, Coloured pencil drawing on Graphix matte drafting film, 18in x 15 1/2in

http://www.bonniesheckter.com

Sean (No. 5) by Michael Silverstone, 2019, Faber Castell HB, B graphite on Arches 140lb hot press watercolour paper, 24in x 16in

Sean (No. 5)

Michael Silverstone, 2019, Faber Castell HB, B graphite on Arches 140lb hot press watercolour paper, 24in x 16in

LIGHT (Carolyn) by Michael Silverstone, 2020, Lyra Rembrandt HB, B graphite on Arches 140lb hot press watercolour paper, 22in x 17in

LIGHT (Carolyn)

Michael Silverstone, 2020, Lyra Rembrandt HB, B graphite on Arches 140lb hot press watercolour paper, 22in x 17in

Untitled 1 by Ruth Steinberg, 2022, Medium format colour film, digital archival print, 15in x 15in

Untitled 1

Ruth Steinberg, 2022, Medium format colour film, digital archival print, 15in x 15in

http://ruthsteinbergphotographs.com

Who Are You? by Aishah Vakily, 2020, Charcoal, pastel, and graphite on paper, 14in x 11in

Who Are You?

Aishah Vakily, 2020, Charcoal, pastel, and graphite on paper, 14in x 11in

http://aishahvakily.com

Looking at the rain by Helena Vallee Dallaire, 2022, Oil on gessoboard, 7in x 5in

Looking at the rain

Helena Vallee Dallaire, 2022, Oil on gessoboard, 7in x 5in

http://helenavd.com

Past to Present by Anita Van Zeumeren, 2020, Oil on board, 12in x 24in

Past to Present

Anita Van Zeumeren, 2020, Oil on board, 12in x 24in

https://www.instagram.com/anitavanzeumerenartist/

Brendan and Michael (Kettle Harbour) by Kyle Vingoe-Cram, 2021, Pen and Ink, 8.3in x 11.7in

Brendan and Michael (Kettle Harbour)

Kyle Vingoe-Cram, 2021, Pen and Ink, 8.3in x 11.7in

http://kylevc.com

Listen to the Earth by Roy Whiddon, 2021, Digital photograph, printed on rag paper with pigment inks., 20in x 16in

Listen to the Earth

Roy Whiddon, 2021, Digital photograph, printed on rag paper with pigment inks., 20in x 16in

http://www.roywhiddon.com