Celebrating visual art of the human form / Célébrer l’art visuel de la forme humaine
Photo: 2022 Mark Stephenson
Nima Arabi, Robyn Asquini, Colette Beardall, Peter Bustin, Monique Campbell, Melanie Chikofsky, Saanya Chopra, Robert Creighton, Christine Fitzgerald, Gary Franks, Catharina Goldnau, Megan Green, Beth Kyle, Darcia Labrosse, Sarah Lacy, Justine Lanza Kendrick, Steven Lewis, Ava Margueritte, Natalie Nadeau, Michelle Peraza, Jay Senetchko, Bonnie Sheckter, Michael Silverstone, Ruth Steinberg, Aishah Vakily, Helena Vallée Dallaire, Anita Van Zeumeren, Kyle Vingoe-Cram, and Roy Whiddon.
On October 27, 2022 we celebrated 29 artist finalists for Figureworks® 2022. This year the prize received 182 entries from 118 artists located across Canada, including photographs, sculptures, paintings, drawings, videos, and fibre art.
The Figureworks prize is evaluated by a jury of peer professional artists, curators and arts administrators representing a broad range of media and forms of art.
Congratulations to the 2022 winners selected from 182 entries from 118 artists located across Canada.
2022 Figureworks Prize – $2000
As described by the jury:
A snapshot of humanity confronts the viewer, beautiful but faced with the reality of ageing. There is a warm vulnerability, enhanced by the lighting. The compositional structure draws us back to her and her life. There is an awareness of diminishing time and space, which has been accelerated in the last few years due to COVID.
Artist statement: Part of an ongoing series, started in 2015, documenting the life of my (now) 98 year old mother.
Untitled 1 by Ruth Steinberg, 2022, Medium format colour film, digital archival print, 15in x 15in
Colette Beardall, 2022, Red stoneware, multi fired with slips, glazes and rubbed with oxides, 12in x 10in x 6in
This work has a haunting presence, with a strong affect. The physicality of the materials create a raw and vulnerable anguish in the figure. Symbolic elements are compelling and multi-layered.
As the senseless war in Ukraine languishes, I imagine the soul leaving the inhabitants as they try to save their children, their identity, and their homeland. A nightingale (national animal of Ukraine) visits a young man to assure him the world is watching.
Anita Van Zeumeren, 2020, Oil on board, 12in x 24in
This piece reflects a salient, evident and achingly raw story of colonialism. The emotional impact is even felt through the technical achievement of trompe-l’œil. A very strong presence of acculturation is noted in the visual expression.
Ava Margueritte, 2021, Pigment ink on photo rag paper, 24in x 24in
Living with dyslexia and CAP-D, has made it difficult to communicate my experiences. Self-portraiture has been a way for me to navigate my emotions through a visual diary. Examining the relationship between body and mind.
In alphabetical order by artists name.